A CONVERSATION WITH FRANK STELLA

A CONVERSATION WITH FRANK STELLA

PHILLIPS, NEW YORK, NY: APRIL 20, 2016

The Jordan Schnitzer Family Foundation is pleased to announce the release of Frank Stella Prints, A Catalogue Raisonné, by Richard H. Axsom, edited by Carolyn Vaughn, Sigrid Asmus, and Laura L. Morris, with a foreword by Jordan D. Schnitzer and text by Leah Kolb. The book is distributed by Artbook and D.A.P.

Frank Stella: Prints was published to coincide with Frank Stella Prints: A Retrospective - the first major exhibition of the artist's prints since 1982 - curated by Richard H. Axsom and currently on view at the Madison Museum of Contemporary Art.

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FLUX: PORTLAND - 2016 SGCI AWARDS CEREMONY

FLUX: PORTLAND - 2016 SGCI AWARDS CEREMONY

MARRIOTT DOWNTOWN WATERFRONT, PORTLAND, OR: APRIL 2, 2016

It is with great pleasure that the SGC International Conference honors Jordan Schnitzer with the Distinguished Advocate of Printmaking Award. The 2016 SGCI Conference Steering Committee decided unanimously to give Jordan Schnitzer this award in recognition of his outstanding leadership and tireless efforts in supporting every aspect of printmaking in the Northwest region.

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2016 SGCI FLUX: PORTLAND - JAMES ROSENQUIST PANEL DISCUSSION

2016 SGCI FLUX: PORTLAND - JAMES ROSENQUIST PANEL DISCUSSION

MARRIOTT DOWNTOWN WATERFRONT, PORTLAND, OR: MARCH 31, 2016

Lifetime Achievement Award Exhibition: James Rosenquist is co-presented with the Jordan D. Schnitzer Family Foundation and the Pacific Northwest College of Art MFA in Print Media program.  Featured at The 2016 SGC International Printmaking Conference, FLUX PORTLAND, the conference keynote on Thursday, March 31 at 9am will feature special guests special guests Maurice Sanchez of Derriere L’ Etoile Studio and James Reid of Gemini G.E.L. along with Jordan Schnitzer and Mack McFarland, Director of the Center for Contemporary Art & Culture who will discuss Rosenquist’s printmaking career.

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IN LIVING COLOR: ANDY WARHOL AND CONTEMPORARY PRINTMAKING

IN LIVING COLOR: ANDY WARHOL AND CONTEMPORARY PRINTMAKING

MUSEUM OF CONTEMPORARY ART - JACKSONVILLE, JACKSONVILLE, FL: FEBRUARY 13 - MAY 15, 2016

Spanning three decades of Warhol's career, In Living Color: Andy Warhol and Contemporary Printmaking features some of the artist's most iconic screen prints, including his portraits of Marilyn Monroe and Mao Zedong, the splashy camouflage series, and the controversial Electric Chair portfolio. Drawn exclusively from the rich collections of Jordan Schnitzer and his Family Foundation, In Living Color is divided into five sections-experimentation, emotion, experience, subversion, and attitude. In each, Warhol's work is placed in conversation with other artists of the postwar era who use color as a tool to shape how we interpret and respond to images.

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FRANK STELLA PRINTS: A RETROSPECTIVE

FRANK STELLA PRINTS: A RETROSPECTIVE

MADISON MUSEUM OF CONTEMPORARY ART, MADISON, WI: FEBRUARY 6 - MAY 15, 2016

For over fifty years, Frank Stella has created a significant body of abstract art comprised of paintings, reliefs, sculptures, drawings, and prints. Frank Stella Prints: A Retrospective details the artist’s remarkable career as a printmaker. It presents, as evidence, over 100 prints that make apparent how his highly experimental endeavors have redefined the traditional print. The exhibition also offers a clear view of Stella’s stylistic evolution—a series of reinventions from the minimalist geometric abstraction of the early years to the baroque exuberance of the later gestural work.

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EMANCIPATING THE PAST: KARA WALKER'S TALES OF SLAVERY AND POWER

EMANCIPATING THE PAST: KARA WALKER'S TALES OF SLAVERY AND POWER

UNIVERSITY OF WYOMING ART MUSEUM, LARAMIE, WY: JANUARY 30 - MAY 14, 2016

Kara Walker is one of the most successful and widely known contemporary African American artists today; she is remarkable for her radical engagement with issues of race, gender, and sexuality and the media with which she pursues her studies. Though mainly celebrated for her provocative installations, composed of cut-paper silhouettes, Walker’s work in other media is equally strong and expands on the many powerful themes and questions of her practice. 

This retrospective of prints, featuring works from the series Emancipation and Harper’s Pictorial History of the Civil War, as well as selected other prints, videos and a wall silhouette, is organized by the Jordan Schnitzer Museum of Art, University of Oregon, Eugene, from the Portland, Oregon-based collection of Jordan D. Schnitzer.

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WANGECHI MUTU: THE HYBRID HUMAN EXHIBITION

WANGECHI MUTU: THE HYBRID HUMAN EXHIBITION

PACIFIC NORTHWEST COLLEGE OF ART, PORTLAND, OR: JANUARY 19, 2015 - MARCH 12, 2016

Wangechi Mutu is a trained sculptor and studied anthropology but first came to prominence through her collage works, which fuse a diversity of sources culled from the image gluttony of late 20th century and early 21st century life. Mutu draws from the aesthetics of traditional ritual arts, science fiction, and Afrofuturistic funkdaleia.

EVENT INFORMATION

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