International Print Center New York will open its 2015/16 Season with Weaving Past into Present: Experiments in Contemporary Native American Printmaking, an exhibition of current prints by Native American artists living and working across North America, on view September 24-November 10, 2015. Over forty works by twelve artists will be included with techniques ranging from lithography, etching, silkscreen, linocut and monoprint, to three-dimensional multi-media constructions. Affiliations of the artists include Mohawk, Seneca, Navajo, Flathead/Salish, Chiricahua Apache, Cree, Plains Cultures, Colville Confederate Tribes and Wiyot.
Weaving Past into Present has been organized in collaboration with Sarah Diver, Project Coordinator, who is contributing the curatorial essay for the exhibition. Ms. Diver writes: “This exhibition focuses on the work of current indigenous printmakers who utilize...history as a visual language...Grounding their work in the images, textures, and experiences of the colonial era, artists layer old and new, past and present to explore how the attitudes which shaped 19th-century policies and practices continue to resonate in popular culture today."
Artists included in the exhibition are: Lynne Allen, Rick Bartow, Joe Feddersen, John Hitchcock, Brad Kahlhamer, Jason Lujan, Alan Michelson, Jaune Quick-to-See Smith, Jewel Shaw, Marie Watt, Emmi Whitehorse, and Melanie Yazzie.
Workshops represented are Crow’s Shadow Press (OR); Hybrid Press (WI); LeRoy Nieman Center for Print Studies (NY); Sitka Center for Art and Ecology (OR); Tamarind Institute (NM); and Vermillion Editions Limited (TX).
IPCNY is grateful to the artists, publishers, and to the Jordan Schnitzer Collection for so generously lending works to this exhibition.
International Print Center New York was founded in 2000 as the first and only non-profit institution dedicated solely to the appreciation and understanding of fine art prints. IPCNY expands audiences for prints and the visual arts through exhibitions, publications, educational programs and online services. Innovative programming brings collectors, curators, artists and scholars together to explore the art of the print, from the old master to the contemporary. A 501 (c) (3) institution, IPCNY depends upon foundation, government and individual support as well as members’ contributions to fund its programs. To contribute or for membership information, please contact email@example.com.